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                <title>Acknowledgements</title>
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                    <name ref="#MC1">Mary Chapman</name>
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                    <name ref="#JLC1">Jean Lee Cole</name>
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                    <name ref="#JT1">Joey Takeda</name>
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            <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="acknowledgements_citation_MLA"><author><name ref="people.xml#MC1">Chapman, Mary</name></author>, and <author><name ref="people.xml#JLC1">Jean Lee Cole</name></author>. <title level="a">Acknowledgements</title>. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/acknowledgements.html">https://winnifredeatonarchive.org/acknowledgements.html</ref>.</bibl></listBibl></ab></publicationStmt>
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            <change when="2024-02-03" who="#SL1" status="published">added SFU DHIL and HCMC and updated Megan Meredith-Lobay’s title.</change>
            <change when="2020-08-13" who="#MC1" status="published">added BL and Bodleian.</change><change when="2020-08-05" who="#MC1" status="published">fixed Loyola and Academy of Motion Picture details.</change><change when="2020-08-01" who="#MC1" status="published">wrote content.</change>
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               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
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               <persName>
                  <reg>Jean Lee Cole</reg>
                  <forename>Jean</forename>
                  <surname>Lee Cole</surname>
               </persName>
               <note><p>Jean Lee Cole is Senior Consultant on <title level="m">The Winnifred Eaton
                        Archive</title>, author of <title level="m">The Literary Voices of Winnifred
                        Eaton: Redefining Ethnicity and Authenticity</title> (2002), co-editor of
                        <title level="m">A Japanese Nightingale and Madame Butterfly: Two
                        Orientalist Texts</title> (2002, with Maureen Honey), and editor of the
                     original <title level="m">Winnifred Eaton Digital Archive</title> (2004). She
                     is Professor of English at Loyola University Maryland.</p></note>
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               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
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               <persName>
                  <reg>Sydney Lines</reg>
                  <forename>Sydney</forename>
                  <surname>Lines</surname>
               </persName>
               <note><p>Sydney Lines is a Ph.D. candidate in English at the University of British
                     Columbia and Project Manager of <title level="m">The Winnifred
                        Eaton Archive</title>. She is writing a dissertation on Winnifred Eaton
                        and Laura Goodman Salverson.</p></note>
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        <body>
            <head>Acknowledgements</head>
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                <p>The Winnifred Eaton Archive would not have been possible without the creativity and support of many institutions and individuals. We wish to thank the University of British Columbia, Simon Fraser University’s Digital Humanities Innovation Lab, and the University of Victoria’s Humanities Computing and Media Centre for their sustained support of this project. We also gratefully acknowledge the <ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Council of Canada</ref>, Loyola Maryland University, and UBC’s Department of English Language and Literatures. Special thanks to Susan Brown and Dean Irvine for DH support and inspiration, to Martin Holmes and Stewart Arneil for their e-hospitality, and to Megan Meredith-Lobay (formerly Advanced Research Computing, UBC), Eka Grguric (Research Commons, UBC Library), and Ricardo Serrano (Arts ISIT, UBC) for helping us navigate UBC’s DH support infrastructure. Eternal gratitude to Dr. Serina Patterson, web designer extraordinaire.</p>
                        
                        <p>We also would like to thank Winnifred Eaton Babcock Reeve descendants Diana Birchall, Elizabeth Rooney, Frank Rooney, and Eileen Hathaway for their generosity, interest, and shared stories about their inspiring ancestor. Winnifred Eaton Babcock Reeve scholars from around the world, particularly Karen Skinazi, Jennifer Harris, Dominika Ferens, and Shaun Hunter, also generously contributed photographs, facts, scans, critical input and ideas. </p>
                         <p>This site would not have been possible without around-the-clock service by UBC interlibrary loans librarians before and during the COVID pandemic and the generous loan of materials from the following libraries and collections:
                        Special Collections and other holdings at the University of Calgary Library, Hathi Trust, Google Books, Project Gutenberg, American Periodicals, Library of Congress, Free Library of Philadelphia, New Hampshire Libraries, Newberry Library, Schlesinger Library at Harvard University, the Winterthur Library, the University of Illinois-Chicago Library, the Center for Research Libraries, Perry Castañeda Library at University of Texas-Austin, Yale University Libraries, Rauner Library at Dartmouth College, Koerner Library at the University of British Columbia, Anderson Library at the University of Minnesota, Anderson Library at the University of Michigan Library, the British Library, the Bodleian Library, and the Academy of Motion Picture Arts and Sciences.
                       </p>
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