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                <title>Winnifred Eaton’s Collaborators</title>
                <respStmt>
                    <resp>Author</resp>
                    <name ref="#MC1">Mary Chapman</name>
                </respStmt>
                <respStmt>
                    <resp>Author</resp>
                    <name ref="#JT1">Joey Takeda</name>
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                <p>See the <ref target="legal.xml">legal</ref> page for information about republication. The recommended citation for this document can be found below (in the standalone XML version).</p>
            <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="we_collaborators_citation_MLA"><author><name ref="people.xml#MC1">Chapman, Mary</name></author>, and <author><name ref="people.xml#JT1">Joey Takeda</name></author>. <title level="a">Winnifred Eaton’s Collaborators</title>. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/we_collaborators.html">https://winnifredeatonarchive.org/we_collaborators.html</ref>.</bibl></listBibl></ab></publicationStmt>
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               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
               </note>
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               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
            </person><person xml:id="CS1" copyOf="people.xml#CS1">
               <birth when="1873"/>
               <death when="1936"/>
               <persName>
                  <reg>Cynthia Stockley</reg>
                  <forename>Cynthia</forename>
                  <surname>Stockley</surname>
               </persName>
               <note><p>Cynthia Stockley (1873-1936), born Lillian Julian Webb, was a South African-Rhodesian novelist, journalist, and actress. She was born in Orange Free State in Southern Africa. Her parents were Irish and English, and she moved to England where she later died. She is the author of <emph>The Claw</emph> which was re-adapted for screen by Winnifred Reeve and released in 1927. <emph>The Claw</emph> was previously turned into a film in 1918. Six of her books were turned into films: <emph>Poppy</emph> (1917), <emph>The Claw</emph> (1918), <emph>Wild Honey</emph> (1922), <emph>Ponjola</emph> (1923), and <emph>The Claw</emph> (1927).</p>
               </note>
            </person><person xml:id="WE1" copyOf="people.xml#WE1">
               <persName>
                  <reg>Winnifred Eaton</reg>
                  <forename>Winnifred</forename>
                  <surname>Eaton</surname>
               </persName>
               <birth when="1875-08-21"/>
               <death when="1954-04-08"/>
               <note>
                  <p>See the <ref target="timeline.xml">Biographical Timeline</ref> for biographical
                     information on Winnifred Eaton.</p>
               </note>
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            <head>Winnifred Eaton’s Collaborators</head>
            <div>
            </div>
            <div><table type="exhibit"><row role="label"><cell>Name</cell><cell>Roles</cell><cell>Biography</cell></row><row><cell><ref target="FG1.xml">Fred De Gresac</ref></cell><cell/><cell><p>Frédérique Rosine de Grésac (1866 - 1943) was a French librettist, lyricist, playwright, and screenwriter. She wrote under the male-sounding name Fred de Gresac.</p></cell></row><row><cell><ref target="FM1.xml">Frederick McCormick</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="SE1.xml">S. Ehrhart</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="CG1.xml">C. Allan Gilbert</ref></cell><cell>Illustrator</cell><cell><p>Charles Allan Gilbert (1873 - 1929) was a prolific, talented, American
                     illustrator, animator, and artist best known for his 1892 illusionist drawing
                        <title level="m">All is Vanity</title>. Gilbert studied at the Art Students’
                     League in New York and Academie Julian in Paris before opening a studio in New
                     York. Gilbert created illustrations for advertisements, magazines (including
                        <title level="j">The Saturday Evening Post</title>, <title level="j">Scribner’s</title>, and <title level="j">Harper’s</title>), calendars, and
                     novels (including Edith Wharton’s <title level="m">The Age of
                     Innocence</title>). Gilbert is credited as the inventor of cartoons for the
                     screen. He also designed posters in the First World War and worked as a
                     camouflage artist for the US. Shipping Board during this time. </p></cell></row><row><cell><ref target="CC1.xml">Charles A. Cox</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="KA1.xml">Karl J. Anderson</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="KS2.xml">Kiyokichi Sano</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="JC1.xml">John Cecil Clay</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="HH1.xml">Henry Hutt</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="TS1.xml">Taka Spiro</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="CP1.xml">C. F. Peters</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="LP1.xml">L. A. C. Panton</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="EB1.xml">Edward Butler</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="AP1.xml">Alden Peirson</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="TP1.xml">Tom Peddie</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="MP1.xml">May Wilson Preston</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="MM1.xml">M. McKinlay</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="GW1.xml">Gustavus C. Widney</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="KI2.xml">Kyohei Inukai</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="BC1.xml">B. West Clinedinst</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="WK1.xml">W. H. D. Koerner</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="CA1.xml">Clare Angell</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="GF1.xml">Gazo Foudji</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="HT1.xml">Harry E. Townsend</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="LZ1.xml">L. W. Ziegler</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="BB1.xml">Bertrand Babcock</ref></cell><cell/><cell/></row><row><cell><ref target="CW1.xml">C. D. Weldon</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="JG1.xml">John C. Gilbert</ref></cell><cell>Illustrator</cell><cell><p>John Clithero Gilbert (?-1905) was a Chicago-based illustrator best known
                     for illustrating Harold Bell Wright’s 1902 novel <title level="m">The Printer
                        of Udell’s</title> and William Hawley Smith’s 1904 science fiction novel
                        <title level="m">The Promoters: A Novel Without a Woman</title>. </p></cell></row><row><cell><ref target="LB1.xml">Louis Betts</ref></cell><cell>Illustrator</cell><cell><p>Louis Betts (1873-1961), born in Little Rock, Arkansas, was a renowned and
                     decorated American portrait painter particularly active in the Chicago and New
                     York City art scenes. Beginning his career as an illustrator, he completed work
                     for Charles Eugene Banks in his book <title level="m">Child of the Sun</title>,
                     in addition to his illustrations for several of Onoto Watanna’s works. Louis
                     Betts’ honours included a $5,000 Philadelphia Academy of Fine Arts prize and a
                     $3,000 travelling scholarship awarded by the Pennsylvania Academy of Fine Arts
                     for travel in Europe.</p></cell></row><row><cell><ref target="AC1.xml">Alfred S. Campbell</ref></cell><cell>Illustrator</cell><cell><p>Alfred S. Campbell (1840-1912), who immigrated to the United States from
                     England in the late 1860’s, founded the Alfred S. Campbell Art Company in 1871
                     in Elizabeth, New Jersey. The company went on to include reproductions,
                     photographs, and illustrations. In addition to being an entrepreneur,
                     illustrator, and photographer, Campbell also was an inventor and held numerous
                     patents, which included inventing a panoramic lens and patenting a method for
                     photography printing on platinum.</p></cell></row><row><cell><ref target="AB1.xml">Albert Blashfield</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="HB2.xml">Howard V. Brown</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="AP2.xml">A. Deford Pitney</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="JD1.xml">J.E. Dean</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="CR2.xml">C. Relyea</ref></cell><cell/><cell/></row><row><cell><ref target="MH1.xml">Mark Hayne</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="AF2.xml">Arthur Ferrier</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="JM1.xml">James McCracken</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="CR1.xml">Capel Rowley</ref></cell><cell/><cell><p>Capel Rowley (1862-1935) was a Chicago-based artist and writer. He
                     illustrated Margaret Homes Bates’ 1894 love story <title level="m">Shylock’s
                        Daughter</title> as well as Grace Wilbur’s 1895 novel <title level="m">A
                        Mormon’s Wife</title>. Rowley also wrote short stories, such as <title level="a">Corralled by Fire</title> (1893) for <title level="j">The Los
                        Angeles Times</title> and <title level="a">Trapper Tom’s Robber</title> for
                     the <title level="j">Philadelphia Inquirer</title> in the same year.</p></cell></row><row><cell><ref target="SB1.xml">Sara Bosse</ref></cell><cell>Author</cell><cell/></row><row><cell><ref target="BC2.xml">Bliss Carman</ref></cell><cell/><cell><p>Canadian poet.</p></cell></row><row><cell><ref target="DD1.xml">Douglas Durkin</ref></cell><cell/><cell><p>Canadian novelist.</p></cell></row><row><cell><ref target="WM1.xml">Wilson McDonald</ref></cell><cell/><cell><p>Canadian poet.</p></cell></row><row><cell><ref target="VL1.xml">Victor Lauriston</ref></cell><cell/><cell><p>Canadian author.</p></cell></row><row><cell><ref target="CH1.xml">Charles Horell</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="GK1.xml">Genjiro Kataoka</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="GY1.xml">Genjiro Yeto</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="MF1.xml">Margaret Fernie Eaton</ref></cell><cell>Illustrator</cell><cell><p>Margaret Fernie Eaton (1871-1953?) worked primarily in pyrography and
                     watercolor. She was born in England but immigrated to the United States in
                     1905, settling in Brooklyn, New York, for the majority of her career. Eaton
                     studied at the Adelphi Academy and won several prizes for her work there. In
                     Spring 1895, Eaton spent four months in Brockville, Canada, at a camp with
                     friends where she completed a number of pieces, highlighted in an extensive
                     interview in the <title level="j">Brooklyn Daily Eagle</title>. Eaton became a
                     member of the New York Watercolor Club; additionally, her work with pyrography
                     advanced the style in the early 1900’s.</p>
               </cell></row><row><cell><ref target="MHP1.xml">Morris Hall Pancoast</ref></cell><cell>Illustrator</cell><cell/></row><row><cell><ref target="EW1.xml">Edith Wharton</ref></cell><cell/><cell/></row><row><cell><ref target="CS1.xml">Cynthia Stockley</ref></cell><cell/><cell><p>Cynthia Stockley (1873-1936), born Lillian Julian Webb, was a South African-Rhodesian novelist, journalist, and actress. She was born in Orange Free State in Southern Africa. Her parents were Irish and English, and she moved to England where she later died. She is the author of <emph>The Claw</emph> which was re-adapted for screen by Winnifred Reeve and released in 1927. <emph>The Claw</emph> was previously turned into a film in 1918. Six of her books were turned into films: <emph>Poppy</emph> (1917), <emph>The Claw</emph> (1918), <emph>Wild Honey</emph> (1922), <emph>Ponjola</emph> (1923), and <emph>The Claw</emph> (1927).</p>
               </cell></row><row><cell><ref target="LT1.xml">Larry Trimble</ref></cell><cell/><cell><p>Larry Trimble (1885-1954) was an American writer, director, and actor. In her screenplay <emph>Rose Marie</emph>, Winnifred Eaton Reeve writes that she met him <q>about three years</q> before the screenplay at the annual Banff winter carnival, so in approximately Winter 1924. </p>
               </cell></row><row><cell><ref target="CY1.xml">Clara Kimball Young</ref></cell><cell/><cell><p>Clara Kimball Young (1890-1960) was a popular American actress and producer of the early silent film era. She was a prominent film star of Vitagraph Studios and later of World Film Corporation, but many of her films with Vitagraph are now lost. After a highly publicized affair with producer Lewis J. Selznick which resulted in her divorce from director James Young, Young and Selznick formed the Clara Kimball Young Film Corporation in 1916 of which she acted as the vice president and Selznick the president. She was the second film actress to create a namesake production company. After their romantic and professional relationship failed, Young created her own namesake production company, C.K.Y. Film Corporation, which operated from 1917-1919. She produced the 1918 film adaptation of <q>The Claw</q> by <name ref="#CS1">Cynthia Stockley</name> as adapted by <name ref="#WE1">Winnifred Eaton Reeve</name>. She quit producing in 1919 but continued to act until 1941.</p>
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