Legal

Texts and Transcriptions

No explicit permission is required to use the Winnifred Eaton Archive materials for personal research, teaching, or other purposes. The majority of materials on this site are governed under a CC BY 4.0 license. This means that you are free to use the material for this site for whatever purpose, so long as credit is given to the Winnifred Eaton Archive; each transcription page contains the recommended citation, which can be found in the Credits and Citations block at the top of any page. Many of our texts are adaptations of earlier encoding work housed at the University of Virginia and Emory University; the licensing for each text is embedded within the header of the individual text.

Images

Information regarding images of periodical publications is located in the Credits and Citations block at the top of any page. Commercial users should contact the institution listed as holding the original manuscript.

Code and Technical Licensing

We use open-access software for development and testing of the site. We use:
Licenses for all libraries can be found in the WEA’s Github repository.

People Mentioned

Mary Chapman

Mary Chapman is the Director of The Winnifred Eaton Archive, a Professor of English, and Academic Director of the Public Humanities Hub at University of British Columbia. She is the author of the award-winning monograph Making Noise, Making News: Suffrage Print Culture and US Modernism (Oxford UP) and of numerous articles about American literature and women writers. She has also edited Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing by Edith Maude Eaton (McGill-Queen’s UP) and published essays on the Eaton sisters in American Quarterly, MELUS, Legacy, Canadian Literature, and American Periodicals. Her current research project is a microhistory of the Eaton family. For more information, see http://faculty.arts.ubc.ca/mchapman/.

Joey Takeda

Joey Takeda is the Technical Director of The Winnifred Eaton Archive and the User Interface Developer at the Digital Humanities Innovation Lab (Simon Fraser University). He is also an M.A. student in English at the University of British Columbia where his research focuses on Indigenous and diasporic Canadian literature; he is currently completing a digital edition of His Royal Nibs.