Aug. 1916

30

2

76-78, 117-118

Mary Chapman is the Director of The Winnifred Eaton Archive, a Professor of English, and Academic Director of the Public Humanities Hub at University of British Columbia. She is the author of the award-winning monograph Making Noise, Making News: Suffrage Print Culture and US Modernism (Oxford UP) and of numerous articles about American literature and women writers. She has also edited Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing by Edith Maude Eaton (McGill-Queen’s UP) and published essays on the Eaton sisters in American Quarterly, MELUS, Legacy, Canadian Literature, and American Periodicals. Her current research project is a microhistory of the Eaton family. For more information, see http://faculty.arts.ubc.ca/mchapman/.

Sydney Lines is a Ph.D. student in English at the University of British Columbia, a research assistant for the UBC Public Humanities Hub, and Project Manager of The Winnifred Eaton Archive. Her research focuses on the nationalist myth-making of long nineteenth-century representations of Old Norse literature and culture in the British Isles.

See the Biographical Timeline for biographical information on Winnifred Eaton.

Joey Takeda is the Technical Director of The Winnifred Eaton Archive and the User Interface Developer at the Digital Humanities Innovation Lab (Simon Fraser University). He is also an M.A. student in English at the University of British Columbia where his research focuses on Indigenous and diasporic Canadian literature; he is currently completing a digital edition of His Royal Nibs.

American monthly magazine first published as Hearst’s Magazine in 1912. When acquired by Hearst Magazines in 1911, publication was called The World Today. Would combine with Cosmopolitan in the 1920s.